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时间：2021-09-22 07:24:59 作者：未来五年 智慧旅游将更好满足人们“放飞心情”需求 浏览量：49328
In a few moments the captain was safe on the air-ship’s deck.
“No. Have you?”
In the famous Luggacurren evictions the poor dispossessed dupes lost their all at the bidding of the Campaigners, on the plea of inability to pay rents voluntarily offered by Lord Lansdowne to be reduced 20 per cent. After these evictions the lands were let to the "Land Corporation," which had some short time ago four hundred head of cattle over and above the full rent paid honestly down; but the former holders are living on charity doled out to them by the Campaigners, and in huts built for them by the Campaigners on the edge of the rich and kindly land which once gave them home and sustenance. How bitterly they curse the evil counsels which led to their destruction only they and the few they dare trust know. Take, too, these two authoritative stories. They are of the things one blindly believes and rages against—with what justice the dénouement of the sorry farce, best shows:—
“Oh, Mr. Winship, you should have seen her!” sighed Jo, lifting her head from the sofa-pillow, with streaming eyes. “All her face, except part of her forehead and one cheek, was covered with enormous dark purple blotches. She looked like a clown, or a Fourth of July fantastic, or anything else frightful!”
I was about to refuse, but Rorie touched me as if in warning; and indeed I had already thought better of the movement. I took the bottle, therefore, and not only drank freely myself, but contrived to spill even more as I was doing so. It was pure spirit, and almost strangled me to swallow. My kinsman did not observe the loss, but, once more throwing back his head, drained the remainder to the dregs. Then, with a loud laugh, he cast the bottle forth among the Merry Men, who seemed to leap up, shouting to receive it.
Finally, in the episode of the Tremolino and her tragic end (an end that has in it a suggestion of that later story, Freya of the Seven Inlands), in that sinister adventure of Dominic and the vile Caesar, he shows us, in miniature, what it is that he intends to do with all this material. He gives us the soul of the Tremolino, the soul of Dominic, the soul of the sea upon which they are voyaging. Without ever deserting the realism upon which he builds his foundations he raises upon it his house of romance.